If you want an alternative perspective on what’s happening in Syria to the one you’ve been getting on the MSM, try this one by Lebanese-American writer and activist Joyce Chediac. Is Syria another Operation Ajax?
At least since 1953 (and probably before that) it has been a tried-and-true tactic of the CIA to finance and conduct (either directly or indirectly) “false flag” civil unrest in a country they want to overthrow. They will then blame escalations of violence on the person running the government (the target of the operation) and use his perceived abuses to justify political or military intervention (directly or indirectly).
The list of countries where they have carried on this kind of operation is lengthy (I counted 53 in Tim Weiner’s book “Legacy Of Ashes”). Here’s a short list:
Iran (1953)
Guatemala (1954)
Indonesia (1958)
Democratic Republic of the Congo (1960)
Dominican Republic (1961)
South Vietnam (1963)
Brazil (1964)
Chile (1973)
Afghanistan (1979)
Turkey (1980)
Nicaragua (1981)
Iraq (1992)
Afghanistan (2001)
Venezuela (2002)
Iraq (2003)
Haiti (2004)
So when you see something similar happen in Syria, you’d be naïve not to wonder if the version of events we are getting from the corporate media isn’t the same bunch of fabricated bullshit that we’ve seen so many times before. Assad may be the antichrist – like so many were before him – or maybe he’s being set up. Since Washington has been funneling money to a right-wing Syrian opposition group since at least 2005, there is obviously more to the story than the one we are being told.
John Pilger has a great new documentary called “The War You Don’t See” and it’s up on YouTube in its entirety. I highly recommend it, as a lot of the subject matter is what I’m covering in my new book “You Are Blind”. Pilger interviews a wide range of people, including Dan Rather and a plethora of journalists, about how the western media were accomplices in spreading lies and misinformation in the lead up to the invasion of Iraq. He also explains how this isn’t a new meme – the media have been spinning lies to justify war during the entire 20th century. We tend to think this happened back the “olden days” and doesn’t happen today but the opposite is actually true. It happens more now than ever – in the era of 24-hour news and media organisations with incredible wealth and concentrated power, the wool is pulled over our eyes more than ever. Of course, the lies don’t stop with the reasons we go to war – it’s much more widespread than that. We are fed corporate propaganda all day, every day, about every aspect of living in our so-called democracies. The propaganda isn’t just the stories we are told, it’s also about the absence of the stories we are NOT told. We may think we have a free media but when your media is owned by corporations with their own agenda – maintaining their own wealth and power – the stories we are told will always reflect the version of the truth that they want us to think.
Instead of watching more crap reality TV tonight, I suggest you watch this instead.
One of Gina Rinehart’s closest advisers has argued that the Fairfax Media board should have the right to influence the editorial direction of the company’s media outlets, especially if the actions were designed to increase Fairfax profits, according to a Fairfax report…..Channel Ten board member, and Hungry Jacks founder, Jack Cowin told ABC Radio that newspapers are a business, not a public service, and that preventing board members from influencing Fairfax newspapers “would be like Qantas not allowing its directors to talk about aeroplanes,” Fairfax reported.
So much for even pretending to have “editorial independence” which has usually been an illusion anyway. Cowin (and we assume Rinehart) don’t want to pussyfoot about when it comes to telling any media assets they might have control over what to write about or how to write it. Hey – it’s a BUSINESS, dummy.
As if we needed reminding.
Meanwhile… for those of you who are Mad Men fans, here’s Enoch Light’s original version of “Autumn Leaves”, as sampled by RJD2 on his track “A Beautiful Mine” which is used as the Mad Men theme.